Met Opera: The Labor Crisis Is Over, The Spiritual Crisis Goes On

Justin Davidson: “Can an opera company indefinitely support thousands of practitioners of arcane crafts? Must a costly large-scale art form inevitably be a luxury product, or can technology help it reach a wider public than ever? Do the new rich even have any interest? More immediately, can the company put on good-enough shows to fill its yawning house?”

source ArtsJournal http://ift.tt/1mnh6AM

Posted in: Dance news