The Problems With Cross-Gender Casting In Shakespeare

“The two best justifications for the practice are a relative shortage of major roles for women and a desire to freshen up overfamiliar texts.” Yet, argues Mark Lawson, cross-casting sets carefully wrought father-daughter and mother-son relationships (Prospero and Miranda, Lear, Hamlet and Gertrude) awry, and “if the governing aim of a production is to make the play seem different, perhaps those involved ought to be doing a different play.”

source ArtsJournal http://ift.tt/1r7T17K

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