“I Always Say Bill Is Balanchine On Steroids”: Dancer Thomas McManus On William Forsythe

“We’d take his moves and deconstruct them for six hours a day … Bill’s methods were so codified he could use them on stage as improvisations. We would be real-time choreographing, making decisions about timing and phrasing and spacing. There was a lot to be aware of.”

source ArtsJournal http://ift.tt/1zT9StT

Posted in: Dance news