We Might Have Just Witnessed The End Of The ‘Album’

“The Life of Pablo is starting to feel like a full-scale attack on the very ontology of the album itself: its primacy in the music industry’s sales model, its status as the foremost object of music criticism, its presumed value as the supreme container for artistic expression, its existential legitimacy as anything other than a nostalgia-driven anachronism. “

source ArtsJournal http://ift.tt/1OohSds

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