‘I Believe That Madrid Killed Him’ – Gérard Mortier’s Widower Looks Back On His Four-Decade Career

How such a promising tenure at Spain’s Teatro Real went so sour; the problems with the Paris Opera and Paris audiences; why he constantly worked with some collaborators and refused others entirely; what he believed was most important about opera. (in French)

source ArtsJournal http://ift.tt/1QUg00v

Posted in: Dance news